Early navigation blurbs for THE site with hard solutions and other dour apoxes

Hi, you have reached  POET*PIET    offering you one of his first though fableddabtabled fractalization attempts which kept him so preoccupied with colours which got so bad the last one don't even sport poems or as most of this present style file contain: line collations, expression staggers, faking folk finesses. . . ..

 What else is to be seen (and not heard yet . .  though I do my 'tablings' in a tv program shooting, cutting and sending station; hell, I even live in it) at this site???           Quick index sending y'on to  wi(l)dly diverging subcentrals                   Or cliconjure up the "stack", a chrono-index of most of the important changes over the last few years  <<ver(il)y (lemmetellee, one may punch the pagedown button to a) craz(il)y coloured yet sober site guide at the bottom>>   Welcome to Tripod on  Turtle island (occupied by amerikkkan forces I dare repeat after a formerly associate netwarrior).Talk about na(t)ivities, you may also partake of treat(i(s)e)s in Dutch, my mother tongue.       See how I manage German too.

The oldest intro (now with white background) to the first files at this site has now spun off a  table filed format version (/oldcore.htm) also.     I took some sloganlike 'crazy quilt of quotes' (thanks shamus  my collection of his accesible work was recently added on to)from extatically righteous moments out of the sample file (100K) and tried my first few table filled formats on them; second; and the so far final one with four versions of one such 'prosem' (all these are smallish files).  The pick of this crop is surely the review of my acquaintance with various rainbow colourschemes, notably the family's, A Keyserling's, John Ray's and mine, all here: /rainbow_touchdown.htm

Two versions each for three earliest crazy selfquote cut and paste quilts (taken from the sample file).      These fragments started on tattered bits of paper travelling with me for some years or waiting for my return somewhere. When I first  digitized them I los a large percentage due to an erroneous belief in an accumulative cut mode (cut cut cut paste ((the 3 cuts)), so one of my first computer skills already made me bleed big time (as far as not only women bleed or course) since I was (despite the long time carrying) at that point not yet so enamoured of my ugly manuscripts that I saved 'm after transference to disc and print).  The first versions have been online for 5-6 years; the second ones are fresh. I'm sure you all won't tell me what and why you think neither are worth writing home about.

tree is but a rock's relative which sets fluids in potion motion. Slaughter is sub-per-verted laughter thrown for a loop (L W Lyons).  Don't widen but deepen your territory if you need one at all, worry its bottom border into retreat.   Parents are karma's henchpersons and sexy-cutes-yawners.   Gender clouds traffic and vica versa.  Where is my ultimate g(u)ardeningtool - instrewment, the heavenly door knock appliance? On the drawing boards, in the modeling  room, in the news, at my fingertips, in my hand, in ours? I click along natural cleav(e st)ages.  A rock will sooner aspire to loose its gravity than a conspirational clicktock clock its chronic depravity.   If a role model is long dead or merely imaginary, you 'll have only your own conception of it to live up to.   We don't give the lie to compost pie, the marketplace of gentle oxide reduction. I will show you sources and succesions you haven't  dreamed of ever seeing to be related and connecting before.
 
  tree is but a rock's relative which sets fluids in potion motion.
 Slaughter is sub-per-verted laughter thrown for a loop (L W Lyons). 
  Don't widen but deepen your territory if you need one at all, worry its bottom border into retreat. 
 Parents are karma's henchpersons and sexy-cutes-yawners. 
 Gender clouds traffic and vica versa. 
 Where is my ultimate g(u)ardeningtool - instrewment, the heavenly door knock appliance? On the drawing boards, in the modeling  room, in the news, at my fingertips, in my hand, in ours? 
 I click along natural cleav(e st)ages. 
 A rock will sooner aspire to loose its gravity than a conspirational clicktock clock its chronic depravity. 
  If a role model is long dead or merely imaginary, you 'll have only your own conception of it to live up to. 
  We don't give the lie to compost pie, the marketplace of gentle oxide reduction.
  I will show you sources and succesions you haven't  dreamed of ever seeing to be related and connecting before.

Next up: a trick of the light (notable polarities)
chapter subjects: 0=clear, trees and photosynthesis, antennae and fruit lovingly braid and encompass light and darkness; clear=0 10=from hip and flowery power to grippy grey powdery flour hidden in and tickled from the knots and moments that trigger time like spinning geometries of the life between leaf and letter that spell out laws of nature's language=10 1 correlations between gender and generations: restraint, (p)resolution, libido, magnetism, reduction rendered ripeness of vitally nourishing victuals, devil, death and dust 1   2 pro-reduction (the physical type) strategy, agression orientations, (mineral) money and mind 2    3 blood and birth bonds vs spirit and principle ties 3 9 dualities are gendered like dust and dew 9  4minerals, mud, music and ministry4 9multiplicities and manifolds9  5 gaia; bony border bottomline for beleaf5 6 archetypes, heros, idols and gods 6   7 rainbow freedom fenders 7 8 index and bibliography 8.
 
 
 index and bibliography 8.
 rainbow freedom fenders 7
 6 archetypes, heros, idols and gods 6
 5 gaia; bony border bottomline for beleaf5
 multiplicities and manifolds
 minerals, mud, music and ministry
 dualities are gendered like dust and dew
 blood and birth bonds vs spirit and principle ties
 pro-reduction (the physical type) strategy, agression orientations, (mineral) money and mind
 correlations between gender and generations: restraint, (p)resolution, libido, magnetism, reduction rendered ripeness of vitally nourishing victuals, devil, death and dust
 clear, trees and photosynthesis, antennae and fruit lovingly braid and encompass light and darkness from hip and flowery power to grippy grey powdery flour hidden in and tickled from the knots and moments that trigger time like spinning geometries of the life between leaf and letter that spell out laws of nature's language

If a tree can grow up and down at the same time, why couldn't we? Lets take propriety past our property back to prop her proper tree. Insist on unobtrusive assistence with perpetual, effective, pervasive and merpeating perspicacity, don't be extreme, but radical. When life after death has and holds emotions in thrall,  life after and before birth languishes.    I care about all that is and that is all I care about. I assure you that lustre is just a musterable effect of conscious dust recall, it is the most common sentience denominator we need to get a grip on, the present to come and be ingredient. Subscription is the soft voluntary clayway,  su-perscription is the hard coercive frayway.     There is no rush like a crush, once you have well and truly done begun, it is the best shelterbelter, familytree and homesteadying fun.     Twain primal black and white, twixt stiffly cold, deadly dark and the bright hot blinding light there came a flowing show of sense and socialbility.     At the ultimate enviro graffiti comix show dust gets sprayed into clouds which can be lit up in the dark with strong coloured lights shining on them. A rock chime peels time and a pre-info, post-form-I-dabbler does too. The vertical organics border defending loving arms race is on!     Relativity is differentiating as much as uniformating.     Divide all too singularly and airtightly lumping rock, especially those in the vicinity of rain and shine so they stop stumping life. I 'm gonna grow some shade to cover myself and come in colours to leave a scent.     Brothers in harm, mark my alarm, if resist is all you can do,  a scapegoat diffuses through y'all yet by virtue of infamosity's woo.     Dust is a must for the lustre of our subsistence crust.     Scarcity ice age cramp or solar city tensility, from dust to lust, mourn to morn, jubilee to jubilee, holy day to holiday.
 
If a tree can grow up and down at the same time, why couldn't we? Lets take propriety past our property back to prop her proper tree. Insist on unobtrusive assistence with perpetual, effective, pervasive and merpeating perspi- cacity don't be extreme, but radical. When life after death has and holds emotions in thrall,  life after and before birth languishes.

 

Subscrip- tion is the soft voluntary clayway,  su-per- scrip- tion is the hard coercive frayway.  There is no rush like a crush, once you have well and truly done begun, it is the best shelter- belter, familytree and home- steadying fun.  o Twain primal black and white, twixt stiffly cold, deadly dark and the bright hot blinding light there came a flowing show of sense and socialbility.  At the ultimate enviro graffiti comix show dust gets sprayed into clouds which can be lit up in the dark with strong coloured lights shining on them. A rock chime peels time and a pre-info, post-form I-dabbler does too. The vertical organics border defending loving arms race is on!    I assure you that lustre is just a musterable effect of conscious dust recall, it is the most common sentience denomi- nator we need to get a grip on, the present to come and be ingredient.   Relativity is differen- tiating as much as unifor- mating.    I care about all that is and that is all I care about. Divide all too singularly and airtightly lumping rock, especially those in the vicinity of rain and shine so they stop stumping life. I 'm gonna grow some shade to cover myself and come in colours to leave a scent.

 

Brothers in harm, mark my alarm, if resist is all you can do,  a scapegoat diffuses through y'all yet by virtue of infamo- sity's woo.        Dust is a must for the lustre of our subsis- tence crust.    et  black Scarcity ice age cramp or solar city tensility, from dust to lust, mourn to morn, jubilee to jubilee, holy day to holiday.

Table fixing befuddlement          From Netscape composer faithfullness, exlusive even I might add, of 4 years running, to the first tabling 'fun' (see below) with Adobe Page Mill.
A whole morning worth of frutration prone 'probeersels' (trial and error) trying to vary one's mouse click n move combo's ((crossing table borders to select portions of the 'battle' field and all that reminiscent of imperialist stratego sort of bull shit)) rather than looking in manuels) comes to a complicated picture like the one below and I can write around it easy enough (as I am doing now) but when I try to do so within the different blocks with my habitual webfile fiddle program (Netscape Composer) the whole thing starts shaking and flashing (at worst even jumping away from under my attempts at mouse pinpointing).      Same thing happened to the australiaonline tablework found too tempting not to to try play with so I had downloaded and stripped of writs and links, thinking I could fill 'm all with mine easily. No dice. Not with Composer anyways. And then there is the inexpliocable and unmendable stuff in Page mill, like doing a whole range (like the ones below) and then finding out one of the cells is defective.In an earlier version the small yellow tables in this picture for instance refuse to accept any writing at all for some to me unknown reason. It is however reminiscent of the first problem 'bewaeltigung I did here in Esbjerg namely fixing the o on an apple keyboard. I think I'll call it a day.
 
 
 
white red orange yellow grey  green  grey blue(ish) purple violet  black
white re o grey  green  grey  b l  violet  black
white real  bloody o grey  green  grey  b l  violet  black
white ready rotter ore aanger grey  green  grey  b l  violet  black
white read yr hooter o grey  green  grey  b l  violet  black
white ready rooter o rangert grey  green  grey  b l  violet  black
white re oranger grey  green  grey  b l  violet  black
white re oar ranger grey  green  grey  bleudy l  violet  black
white re our angler grey  green  grey  blimplap playpar

loop

 violet  black
white re ouwranglease grey  green  grey  blopfffffjj purploy  violet  black
white re o xx grey  green  grey  b l  violet  black

Thinking I had lost the above record I penned this a few hours later:

Geez, I had done some wordgames with this file and added a long comment about working with tables but it got lost cause I went back to a prior version in pagemill which didn't warn me changes had been made??????

A morning worth of trial and error (varying mouse over and across table borders to try pinpoint some within others within yet more table borders reminded me of the imperialistic origins of net nuttyness) with page mill has resulted in some variations (embedded embodiments of my 11 colour scheme. The first time I tried manipulating a bootleg copy of australiaonline's attractive table colouring resulted in frustration when I tried to insert my texts instead of theirs. The cursor would jump and slip wildly and refused to be put where I wanted it, colours would flash and the whole structure would start to shake and convulse; but writing around it as I do now seems not to phase it much.

The gateway to this site for the   impatient and spoiled    as promised at the top:

Switch to soundbite samples of the most important recent changes and additions listed in Blabsabs   = Bottom line aphostically ballistic solutions affording (and aiding) beleaf systemics.     Another gateway from which to reach my older work (via appetizing one or two line characterizing 'entitlements' of the aphorisms, essays and segments which vary in size from a few lines to a page or two) is table_of_contents.htm)      A final angle of approach to older work is offered in the abstracts file (with brief descriptions and collected keywords).
One may (I hope) care to see the  POET*PIEToid scans and prettifications of some other people's work (about 4 Megs worth of text) I admire and exhibit: /guest_appearances/intro_to_currency_issues.htm.
        Then there is the off the cuff stuff: my several (13 files total) list picks and (mostly merely attempts at) interactions via: table of contents for all list post files.           And finally (yet ongoing) my (19 file in 3 years worth of):  correspondence collection      recently rebaptized to 'loggages'
Linkfiles: Seventh, most recent (jan 2000) and only partly hypered  ALL(Earlier ones) INONE (and to alienate none) linkfile.      All later to me noteworthy URL's end up slightly more scattered throughout the ongoing logs for now (link before last).    The first one (98)  was: commendablinklist.htm,      then came: new_links,recent_links.htm  followed soon after that.        Balkan sites, lists and (re)commentations  is the  (almost fully hypered) second priority file which was next; fifth_linklist.htm and a sixth completes my set.         All of this is preprinted beyond unfair disuse doctrine of disinternotional copywrong law  : o )            aim responses, challenges, outrage and/or rewards at:
poetpiet@hotbot.com